Monday, September 30, 2013

Cultural Introduction to Renaissance Rome/Patronage and Popes: Saints or Sinners?


Rome became known as the eternal city; the New Jerusalem of the Promised Land with St. Peter’s Basicala as the new temple; and Rome the head of the world, Roma caput mudi.  From reading the above articles, at one time the Roman Empire was in shambles with a small population living amongst the ruins and for seventy years; the papacy lived in Avignon, France, which they called “Babylonian Captivity”.
During the Renaissance, the papacy returns to Rome and fosters relationships with the humanists, artists and entrepreneurs to rebuild Rome as one of the greatest cultural centers in Europe in art, architecture, oratory, music, and writing.  In addition, the papacy builds an extensive library that holds ancient and modern thought and served as the brain of Renaissance Rome in its articulate memory and its nerve center.
Even though, every fragment of Rome’s past had its story to tell and a spell to enchant through its richness in beauty, there was and still is a boundless power in religion in doing what is right and good for the benefit of all and in doing what is corrupt to gain personal power and indulgence as it was documented during the reign of various popes, especially Julius II, who considered himself to be Julius Caesar.  In addition, the humanists held power as they reemphasizing the power of the word in persuasive and eloquence speech.  Success in law and statesmanship could be measured by the extent that the speaker could convince judges, juries, senates, assemblies and crowds of his position.  Consequently, the language could be so focused with ruthless precision in presenting a believable cause that oftentimes it was not in the best interest of the people and it was for personal gain or an ulterior motive.
Nevertheless, Rome is considered the eternal city with a beautiful and rich culture in history, art and architecture as well as the Christian capital and the papacy’s divinely sanctioned home.

Sunday, September 22, 2013

Humanism


It was considered by the Humanists that the traditions of Christian literature was not sufficient to shape the life of a complete man, who were destined to hold leading public and government positions. The technical foundations of humanism were in grammar; and the art of the most effective speaking and writing in eloquence and wisdom, ethics and philosophy. The Humanists sought to increase civility, to reduce attachment to profit and to move the passions through the power of language.

The Humanists looked to history for what it could tell them about their own experience; they believed that Classical Greek and Latin literature taught everything from virtue to eloquence, from wisdom to practical worldliness; and that antiquity taught them the way to improve the structures of political science. 

Today, the study of humanities in grammar, language, history, poetry and moral philosophy is taught in the classroom to continuous develop a person’s knowledge in virtue, expression, and wisdom in their relationships with community and/or public.

Leonardo Da Vinci, Flight of Mind


The Musée du Louvre, Paris's version, Virgin of the Rocks by Leonardo da Vinci, 1483–1490;
The National Gallery, London's version of Leonardo’s Virgin of the Rocks, circa 1508 (right)
Leonardo Da Vinci, pages 196-226

Virgin of the Rocks, exists in two versions, when viewed they are similar but not identical.  The one that is in the Louvre, Paris is pure Leonardo, while the version in the National Gallery at London was painted much later by Leonardo and his Milan studio assistant, Ambrogio de Predis.  Why two versions?

A theory and recorded documentation shows that in 1483, while living in Milan, Leonardo was commissioned by the Confraternity of the Immaculate Conception to paint a three-panel altarpiece for the San Francesco Grande, the biggest church in Milan.  Strangely, Leonardo deviated from the church specifications in size and created a one-panel painting absent of the requested figures and symbols.  It was believed that Leonardo began painting the Virgin of the Rocks while he lived in Florence that is why it lacked the details of the contract.  When Leonardo asked for a higher payment for the painting, the Confraternity barely came close to his request.  Thus, the painting was taken back and sold to Ludovico, Duke of Milan, who sent the painting as a wedding present to the Emperor Maximillian in Germany.   Over time the painting eventually ended up in the Louvre after 1528.

This theory explains why the second, Virgin on the Rocks, the London version, was made as a substitute for the Confraternity and why the differences in between the two paintings in additional or absence of original detail and chiaroscuro effects.

Leonardo Ornithopter
While Leonardo was working on the Virgin of the Rocks (which he considered the Madonna female personification of nature, and the mistress of all masters), Milan was in the midst of the three-year epidemic bubonic plague.  As a way to escape the misfortunes and tragedy of the time, Leonardo would make sketches, drawings and notes about building proficient cities and churches; military machinery (as he secretly wanted to be a military engineer); flying machines, such as the ornithopter (helicopter) and cogs and wheels to raise water and power hydraulic machinery.  Leonardo believed that there was a harmonious balance in architecture, machinery and, especially, nature as well as in the body.   Leonardo became known for his profound observations to penetrate deeper into the nature of nature or universal law. 

Additionally, the notebooks contained puns, word-games, cryptograms, and riddling prophesies which lingered in the mind after they were explained.  Moreover, Leonardo wrote over thirty fables about his compassionate view of nature, as he believed that nature had a soul, an existence of spirit, and oftentimes, in social circles or at court, he told his fables, prophecies, and puns.

In conclusion, not only was Leonardo a painter with an exquisite style of making the religious beautiful into miraculous, he was a man ahead of his time and had an innate curiosity in how things worked in nature as well as how to improve the lifestyle and existence of man.

Monday, September 9, 2013

Research Project

Amanda Williams and I will be researching, Late Titian.

Also, I am so happy that I am finally able to blog.  Check out my responses and posts as I get better with blogging!